2017年12月16日星期六

两个世界


图片取自 豆瓣读书

  四季走过小巷,最喜欢它夏天清早的模样。晨光的明媚里特有一种宁静。光线透照过的树叶澄亮得近于半透明。树下早点摊前,几个男人并排坐着小板凳,各对着一张塑料方凳,不紧不慢吃着热点心。一旁,老社区围墙墙角的凌霄花枝垂下来,花朵像喇叭一样翘起。暑热未至,这里与车水马龙之处是两个世界。

≪无尽绿≫ 188页
宋乐天 著
ISBN 978-7-3012-6335-8




隨意翻開你手邊的一本書的任何一頁,
寫下映入眼簾的第一個句子,
或是寫下你正在閱讀的書籍的句子,
標上書名、ISBN和頁數,當作回應。

閱讀讓思想更有力量,我們一起來讀書。

~ 松露玫瑰 ~


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6 条评论:

  1.   我们借由通电话,得到了可以立刻联络对方的方便性,却失去了思念、想象对方的时间,电话剥夺、蒸发了我们累积思念时间。

      每个月都会收到手机账单,通话时间二十小时,账单金额为一万两千日元。

      我们的谈话具有和这些金钱相同的价值吗?每一句话值多少钱?

      电话可以让我们连续聊好几个小时,但就连电话也无法再把我们联结在一起。当我们来到大富翁游戏城外面的世界,终于发现,我们之间的关系只靠大富翁的游戏规则来维系。

      我们之间早就没有了恋啊爱啊之类的感情,只是在固定的游戏规则中,继续玩这场游戏而已。在布宜诺斯艾利斯的那几天,我们立刻发现了这种游戏规则毫无意义。

    ≪如果这世界猫消失了≫ 97-98页
    川村元气 著  王蕴洁 译
    ISBN 978-957-10-6995-1

    回复删除
  2.   很奇妙。刚和她谈恋爱时,难以想象有—天会和她分手。自己幸福的时候,觉得她也同样幸福,不知道什么时候,事情不再这么简单,即使自己幸福,也可能造成对方的伤心。

      每段恋情必定会结束,虽然明明知道恋爱会结束,但人们还是会谈恋爱。

      也许恋爱和活着一样。明知道生命终有结束的一天,但每天都会努力活下去,就像恋爱一样,正因为有结束的一天,所以才会努力让活着的每一天更加绽放光芒。

    ≪如果这世界猫消失了≫ 102-103页
    川村元气 著  王蕴洁 译
    ISBN 978-957-10-6995-1

    回复删除
  3.   随着电话和手机的发明,人类不会再和别人擦身而过,相约也失去了意义。但电话打不通时的焦急,以及等待温暖的感觉,和令我浑身发抖的寒意一起,强烈地留在我的身上。

    ≪如果这世界猫消失了≫ 105页
    川村元气 著  王蕴洁 译
    ISBN 978-957-10-6995-1

    回复删除
  4.   我很焦急,很想立刻把正确答案告诉她。我缓缓地原地踏步,抬头仰望电影院。

      这时,我发现一件事。这和我在学生时代等待她的电话时的心情一样,无法把心意和想法马上传达给对方的焦急时光,正是思念对方的时光。就像古人写信给对方,迫不及待地等待对方回信一样。如同送礼物的意义并不在于礼物本身,而是在挑选礼物时,想象对方喜悦表情的瞬间样,那才是送礼的意义所在。

    ≪如果这世界猫消失了≫ 106-108页
    川村元气 著  王蕴洁 译
    ISBN 978-957-10-6995-1

    回复删除
  5. 完美的梦想永远是梦想

    躺下来做梦,就会成为梦想家。
    但是要真的成为梦想家,
    就必须时时刻刻保持清醒。


    ≪我不是完美小孩≫ 110页
    几米 作品
    ISBN 978-7-5110-1956-1

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  6.   In India, the movies mean Bollywood, the film industry whose name conflates Hollywood with Bombay, where the first Hindi-language film was made. Even after Bombay was renamed Mumbai in an effort to free the city of its colonial legacy, Bollywood stayed Bollywood. It churns out at least two hundred films a year, each costing less than a million dollars——a sixth of the average price tag of a Hollywood film. Profilic, popular, song-filled, and sentimental, Bollywood films almost always swoon over the three-hour mark. As a result, they all have intermissions, during which theater concession stands rake it in selling spicy veggie burgers, samosas, and "American snacks" such as caramel popcorn.

      Movie soundtracks are Bollywood's best promotional tool. In the weeks before a bid studio release, music videos of the songs take over TV channels. The songs are recorded by army unseen "play back singers" but associated in perpetuity with the actors who have lip-synched them. I'd hear Geeta humming a new film tune, and later that day, Joginder's cell phone would announce itself with the same song. India's star culture is even more obsessive than our own. Hollywood has the celebrity website TMZ, but in India, Bollywood gossip isn't relegated to the niche media: it is often a top story on the nightly news. Many movie stars have actual, real-life shrines erected to them, and when they are not literally being worshiped, their faces everywhere, from well-produced TV ads for toothpaste to hand-painted movie billboards on rural unpaved roads.

      Bollywood's biggest romantic hero, Shah Rukh Khan, is best known as "King Khan", though Geeta preferred to refer to him by the less obsequious nickname "SRK". He's produced a stunning five dozen films over his career of almost twenty years. When he was named one of Newsweek's fifty most powerful people in the world, the Indian media treated it like a national accomplishment; when he was invited to present a Golden Globe Award, Indian announcers said it spoke to the country's growing might; when he was detained at Newark airport in 2009, presumably because of his Muslim last name, the TV channels called it a "national humiliation".

      ……

    Sideways on A Scooter, Life and Love in India, P52~53
    Miranda Kennedy
    ISBN 978-1-4000-6786-2

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